What to wear in front of the world to represent China
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January 19, 2019
I am afraid people who often go abroad will encounter such a problem, what to wear to represent our long culture? Traditional clothing is a symbol of national culture In the movie "Cherry Blossom Love", as a Japanese bride Cecilia Cheung wearing a kimono, there is an unusually noble and pure beauty. Kimono is a traditional Japanese clothing, is based on the Chinese Tang Dynasty clothing on the basis of more than 1,000 years after the evolution of the formation. Mr. Lee, who regularly travels to and from Japan and China, said that in Japan, kimono has a very important position to wear. It is not only popular at wedding time, but also in various festivals and important gatherings. Students' graduation ceremonies and funerals are also to be worn. Kimono configuration is perfect, from inside to outside, from start to finish, have stress. Each Japanese woman has one or two sets of his own kimono, and when they get married, they also have to rent an expensive kimono. Although the kimono wear is complicated and has several layers inside and outside and is not easy to operate, people still love it so that it leads to a career where some people who devote themselves to making kimono money . In South Korea, hanbok is equally respected and loved by people. As we all know, hanbok is also based on traditional Chinese clothing developed. In Vietnam, the traditional clothing Aude became the first choice for school uniforms and flight attendants. The Vietnamese government stipulates that traditional costumes should be worn on every major festival or occasion. Fu Daobin, chairman of Heilongjiang Federation of Literary and Art Circles, said that apparel does not only have the practical value of shelter from cold, but also a symbol and symbol of a country's and nation's culture. It is closely related to the system of courtesy, music, and dictionaries in the same country. Therefore, we should attach equal importance to the culture of apparel just like the national flag. Although China's traditional clothing as civilized changes in the development, but its overall style has not changed, such as implicit introverted, focus on the whole, elegant and elegant, romantic and elegant and so on. Han clothing system with more than 3,000 years of history has affected many Asian national costumes, such as Japan and South Korea. Therefore, we should encourage more designers and experts to design traditional clothing that is comfortable, natural and graceful. This is not retro, but on the basis of upholding the standard of Chinese culture, integrating elements of modern fashion to create a nationally representative garment that meets the aesthetic needs of the modern people. Chinese elements need the treasures of the public Ha Hsueh Academy of Fine Arts Department of Lusun Jun in the design of fashion will also add a lot of Chinese elements. She said that in the minds of most ordinary consumers, the Chinese element has become a "rustic" symbol, and many people can give up buying because they use a "buckle" for a piece of clothing. At present, the Tang suit and cheongsam by many people's favorite, but the wearer is still mostly artists and cultural people. Ludong Yu said that a clothing brand to grow and develop, we must take the road to popularization, which is also a lot of Chinese designers do not want too much immersion in the traditional clothing design is the main reason. Zhang Xiangde, dean of the Heilongjiang Institute of Modern Watercolor Painting, said that due to the lack of aesthetic education in traditional culture and the fact that Western culture is now dominant, people do not yet have enough sense of identity for their own national culture, including traditional costumes. Concise elegant Chinese clothing and Chinese literati has always been the pursuit of poetic and elegant is consistent. After more than three thousand years of development, Chinese traditional costumes have created a great deal of cultural treasures, such as exquisite jade costumes in Qin and Qin dynasties, graceful robes and dresses in the Qin and Han dynasties, , Hong Road, tea ceremony, Flower Road, etc., are representatives of Chinese culture symbol. Fu Daobin emphasized that it is unreasonable for people to refer to formal suits right now that it seems that they have conventionally become "suits." We should adopt a more open mind to set the standard for formalwear. As long as generous and decent, we should all be dressed. As for the establishment of the national service, we still need to wait for the opportunity. It is believed that with the development of the times and the enhancement of people's aesthetic awareness, we will certainly form a garment that has the traditional Chinese characteristics and meets the national aesthetic psychology. The more the nation is, the more the world Heilongjiang University College of History, Culture and Tourism Management Dean Duan Guangda said that in the process of heritage of traditional culture, we should not miss the important part of national costume, because it is a national and national culture embodies the connotation, nature And grade symbolic symbols. In today's dominance of modern clothing, all nations and nations still stubbornly hold their own national costumes such as Germany, Britain, Austria, Russia, Japan, South Korea, India, Vietnam, Mongolia, etc., It is a serious and important issue that we can not treat casually. But at the same time, this is also a gradual process of cultural accumulation. It needs to be slowly screened and recognized step by step, and can not be achieved in a single step. Dong Hongyang, a sociology researcher at the Academy of Social Sciences in Heilongjiang Province, said that the United States futurist and sociologist Nesbitt proposed in the "Megatrends" that the development trend of the future culture will inevitably lead to the revival of national culture. Accompanying the process of globalization, although cultural development shows the trend of globalization on the one hand, on the other hand, people will become more and more popular with their own national cultures and "root-seeking fever" will become a universal cultural phenomenon. Therefore, judging from the long-term development, we should consciously explore the positive factors of Chinese culture, Chinese style and Chinese style while absorbing the foreign cultures and create a national, scientific and popular culture characterized by our times.